Showing posts with label revising. Show all posts
Showing posts with label revising. Show all posts

Wednesday, August 14, 2013

Writing Books-- Perception and Reality

Last weekend I had an interesting discussion with a musician wherein I admitted that my personality was to be quite open, and to basically be just as I am--just as I seem.

To which this man replied: "We all are, it is something about being an artist."

Being an artist.  Writing is an art that marries the creative and the analytical in an odd mixture of things most artists would not assume go together.  With painting you certainly start with learning logic, but when I did the most painting in my youth, all those rules had already left an impression on my mind and things like shading came second nature in paintings, sketches. Only minor tweaks were needed after the painting was done.

With writing, no matter how many years you've been at it, no matter how deep into the subconscious the writing rules have imprinted, the rough draft is always a mess.  

Granted, the writing of it is the easy part.  The hard part, in my experience, has been revising the rough draft and polishing it into the book it was meant to be.  The analytical aspect to writing a book is definitely that second step.  

It is easiest to make mistakes in this step.  It is easy for the story to transform outside its narrow bounds and become a different tale all together, or to branch off into a series. My tendency to over-think has hindered many  drafts, and kept me working on them for years and years.

The perception of writing a book is that the writing of it is the hardest and most time-consuming part.  Perhaps, fore some writers, this is a true statement.  But certainly, for me, the writing is easy and the revising is hard.  And the lesson?

My guy is often fond of telling me when--in any number of areas in my life--a simple idea inflates to a full fledged enterprise, complete with steps and long term goals: "Drea, the K.I.S.S. method.  Don't get ahead of yourself."

But I'm so good at it!  And Keeping It Simple... in any fashion orb form is exceedingly difficult.  Thanks to nano, however, I think I can start charting the path through those woods.

So what step of writing a book is hardest for you?


Friday, January 13, 2012

Critiques & Process V: Beta Readers & the Small Stuff--

These are my writer friends, my beta readers. I am debating with myself when Silver Mask is done if I’m going to have 1 or 2 Beta groups.

This is because there is middling stuff and grammatical stuff. Some writers I know can look chapter-by-chapter at a story and give structure, setting, and character with a closer examination than I would expect from my alpha readers.

But the very last things I want to address is grammar, punctuation, word choice, sentence structure/ sentence clarity.

This because I want to focus on the story first. I need the fixing of the tiny details to be the sign to myself that the work is done. My temptation would be to meddle with my own story for the rest of my life--but that serves no good. It is important for me to tell myself “no more” and the pickiest details are the best way to do this.

Why?

To complete making grammatical alterations to a manuscript, I don’t have to wrestle with any big concepts. I go through the problem places systematically and I won’t need to reread my story. If I reread, I change. That’s just what I do. Nothing is ever done.

So the final changes need to be the brainless ones, and then, I go to the next step.

My grammarian writer friends will see the WIP here because their plentiful feedback will be just what I need. I won't have to give them a checklist, just a note and they'll know how to take it from there. Likely this will be very important because I'll be shifting to a new project at this point, partially to keep up momentum and partially to distance myself from the WIP currently changing hands.